Free Fire

Feature Film, 2016

Milk created the visual effects for Ben Wheatley’s superb 1970s crime-drama feature film Free Fire – our third collaboration with the talented director.

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Milk created supporting visual effects for Ben Wheatley’s critically acclaimed new shoot-out feature Free Fire – our third collaboration with the talented director.

Set in Boston in 1978, a meeting in a deserted warehouse between two gangs turns into a shootout and a game of survival.

Wheatley co-wrote Free Fire with Amy Jump. The film stars Sharlto Copley, Armie Hammer, Brie Larson, Cillian Murphy, Jack Reynor, Michael Smiley, Sam Riley and Noah Taylor.

Free Fire opened Toronto International Film Festival 2016 and closed London Film Festival to rave reviews on October 16th 2016. The feature went on general release in the UK on 31st March 2017.

Milk’s work on Free Fire –

The focus of Milk’s 150 VFX shots was to enhance the shoot out in the warehouse – where most of the action takes place – and support the 1970’s period look.

Throughout the film Milk enhanced and added muzzle flashes and air displacement effects for the bullets, particularly in the more intense shooting scenes. The 2D team added bullet holes and debris on the concrete pillars in the set and on the van.

We created a range of emphasised wound effects throughout the film; enhancing headshots on four of the characters with added blood spray and brain matter; and a face shot when one of the main actors is killed – for which we also enhanced a prosthetic face element. The team also composited a sequence in which a character’s head is crushed under a van.

Our 2D team added a dust cloud from the gas canister explosion which engulfs Armie Hammer’s character.

We completed a range of compositing work including the green screen windows in the ‘winnebago’ scene. We also enhanced drone footage of the highway in the opening sequence – removing modern features and reducing the amount of visible traffic, to ensure 1970’s period accuracy.

Our environment team turned one of the shoot locations -Shoreham Harbour (UK) – into Boston, by creating a Boston skyline for the sequence in which the characters are seen on the quayside.

 

 

 

 

 

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